It’s almost time for the annual recital again! Ours is this Thursday (weird day, I know; it was supposed to be Friday but that’s graduation so some people couldn’t come.) Ben and I are doing the Bach Double together. I am really worried about the timing; I tend to go too fast and Ben tends to be erratic in his tempo, and I also tend to play louder than him.
When I was younger and still doing the traditional Suzuki method, the Bach Double was a VERY BIG DEAL. There are ten Suzuki levels total, and the Concerto for Two Violins is the last piece in book 4, and then you learn the first violin part as the last piece in book 5. Ben is in book four; I am about to start book seven but I picked up book five again to play with him.
Every year, right before the play-down—play-down is when the teenagers start with the most advanced milestone pieces (Bach’s Concerto in a, Fiocco Allegro, La Folia, the district-level stuff) and gradually work their way down, to medium pieces like Humoresque, then to Minuet in G, and more and more kids come to the front as pieces they know come up, until eventually even the three-year-olds are standing and playing the Twinkle Variations with everyone else. It’s a Suzuki Tradition.
Anyway, before we did that, the kids who knew how would stand up and play the Bach Double. Every year since you were three or four you would sit and watch until finally, usually around eleven, you could stand up and play with them. It was always fun to see who had learned it in the last year, and who had moved on from second violin to first violin. And amazingly, even though everyone hadn’t played it together until two hours before, it always sounded amazing. At least to me. Pachabel’s Canon was the other big-deal piece, and that always came off too, I have no idea how.
So Ben and I will be doing that, and it will either be fantastic (hopefully) or very bad. Ben’s other piece is a fiddle song called Big Walleye Blues. It has all the traditional fiddle-music slides and double stops that Ben loves. In fact, our teacher assigned him The Battle of New Orleans, from the beginning of the book, and he decided that he liked Big Walleye Blues and he was going to learn that as well.
My other piece is Adagio (real original, right?) from Handel’s Fourth Violin Sonata. I think it will be good, but right now I have trouble with dynamics and it’s not as clean as I would like, plus even though I practiced two hours today all my shifts were too low. Last year I played the first two movements of Handel’s Third Sonata and they went really well, so I have a reputation to uphold with this one. Slow music takes a lot more patience to learn, unfortunately. I’m also supposed to work on “expression”. Hah.

